The standard position on moral perfection and gratuitous evil makes the prevention of gratuitous evil a necessary condition on moral perfection. I argue that, on any analysis of gratuitous evil we choose, the standard position on moral perfection and gratuitous evil is false. It is metaphysically impossible to prevent every gratuitously evil state of affairs in every possible world. No matter what God does—no matter how many gratuitously evil states of affairs God prevents—it is necessarily true that God coexists with (...) gratuitous evil in some world or other. Since gratuitous evil cannot be eliminated from metaphysical space, the existence of gratuitous evil presents no objection to essentially omnipotent, essentially omniscient, essentially morally perfect, and necessarily existing beings. (shrink)

In 1988 the philosopher Gilles Deleuze remarked that throughout his career he had always been 'circling around' a concept of nature. Showing how Deleuze weaves original readings of Plato, the Stoics, Aristotle, and Epicurus into some of his most famous arguments about event, difference, and problem, Michael James Bennett argues that these interpretations of ancient Greek physics provide vital clues for understanding Deleuze's own conception of nature. -/- "Deleuze and Ancient Greek Physics" delves into the original Greek and (...) Latin texts and situates Deleuze's interpretations in relation to contemporary scholarship on ancient philosophy. It reveals that these readings are both more complex and controversial than they may at first appear. Generating both new critical analyses of Deleuze and an appreciation for his classical erudition, this book will be a valuable resource for anyone interested in ancient Greek philosophy, Deleuze's philosophical project, or his unique methodology in the history of philosophy. (shrink)

This volume studies the origin and evolution of philosophical interest in Aristotle's Categories, and illuminates the earliest arguments for Aristotle's approach to logic as the foundation of higher education.

In their paper exploring patient ambivalence in the context of medical decision-making Bryanna Moore, et al. state, “While bioethicists have not paid much attention to ambivalence and related menta...

Deleuze and Guattari’s manner of distinguishing science from philosophy in their last collaboration What is Philosophy? seems to imply a hierarchy, according to which philosophy is more adequate to the reality of virtual events than science is. This suggests, in turn, that philosophy has a better claim than science to truth. This paper clarifies Deleuze‘s views about truth throughout his career. Deleuze equivocates over the term, using it in an “originary” and a “derived” sense, probably under the influence of Henri (...) Bergson, who does similarly. Moreover, William James and pragmatism were to Bergson what the early analytic philosophers Frege and Russell are to Deleuze: excessively scientistic foils whose confusions about truth arise as a result of failing to distinguish science from philosophy. By situating Deleuze’s conception of truth in relation to the early Heidegger’s, which it to some extent resembles, the paper concludes by suggesting that, surprisingly, neither kind of truth Deleuze licenses applies to science, while both apply to philosophy. Science is indifferent to truth in the way that some of Deleuze‘s readers have incorrectly wanted to say that he thinks philosophy is. (shrink)

The following translation is an extract from the third chapter of Watsuji Tetsurō’s Hidden Japan [埋もれた日本] 1951. The translation is composed of two sections: “Until I met Sōseki” [漱石に逢うまで], and “Sōseki’s Character” [漱石の人物]. The former section discusses Watsuji’s indirect encounters with Natsume, namely, reading Natsume’s work as it was serialized in literary magazines during the Meiji era (1868–1912) and the impression Watsuji formed of Natsume as a teacher at Tokyo First Higher School (Ichikō). The latter section discusses Natsume as Watsuji’s (...) personal acquaintance. Here the focus is on how Watsuji came to know Natsume through participating in the famous Thursday Club [木曜会], which was held at Natsume’s home, Sōseki Sanbō [漱石山房]. The contributions of this translation to the literature are threefold: it i) provides a multidimensional account of Natsume, ii) offers insight into the legendary Thursday Club, and iii) also tells us about Watsuji himself. (shrink)

At Aristotle,MetaphysicsE.1, 1026a14, Schwegler’s conjectural emendation of the manuscript reading ἀχώριστα to χωριστά has been widely adopted. The objects of physical science are therefore here ‘separate’, or ‘independently existent’. By contrast, the manuscripts make them ‘not separate’, construed by earlier commentators as dependent on matter. In this paper, I offer a new defense of the manuscript reading. I review past defenses based on the internal consistency of the chapter, explore where they have left supporters of the emendation unpersuaded, and attempt (...) to strengthen their appeal. I challenge Schwegler’s central case, developed by Ross and others, that the construction μὲν ἀλλ’ οὐκ demands an implausible ‘logical antithesis’ between inseparability and mobility. This is arguably the fundamental obstacle to the manuscript reading, and counterexamples have not to date convinced emenders. I offer a new, systematic review of Aristotle’s use of the phrase, including relevant cases from theRhetoric, to show how its usual meaning in Aristotle supports the transmitted text; I also reply to possible objections. Finally, I explore the implications of this defense for the classification of the sciences in E.1. (shrink)

The arguments of the Stoic Chrysippus recorded in Cicero's De Fato are of great importance to Deleuze's conception of events in The Logic of Sense. The purpose of this paper is to explicate these arguments, to which Deleuze's allusions are extremely terse, and to situate them in the context of Deleuze's broader project in that book. Drawing on contemporary scholarship on the Stoics, I show the extent to which Chrysippus' views on compatibilism, hypothetical inference and astrology support Deleuze's claim that (...) the Stoics developed a theory of compatibilities and incompatibilities of events independent of corporeal states of affairs. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Texts and Icons in Heidegger’s Metaphysical TraditionMichael James Bennett (bio)[End Page 26]This essay is about texts that draw attention to themselves as texts, that is, as material, graphical figures, rather than as more or less efficiently pellucid semantic relays. In other words, it is about what happens when texts behave like images. In what follows I examine a series of philosophical contexts where this question appears to be (...) at issue. I claim that one way of understanding what’s going on in these contexts is that here the image-form of a text becomes a kind of icon. I begin by reflecting on a prejudice that belongs, according to Heidegger, to the “history of metaphysics”: the notion that it would be better, clearer, and less ambiguous to replace all reliance on images with self-effacing, transparent words. My goal here is to demonstrate the existence of an alternative historical trend that defends an opposite view. I compare a defense of iconography by Byzantine patriarch Nikephoros of Constantinople, as well as the Neoplatonist Porphyry’s commentary on Aristotle’s Categories, with works by two latter-day Heideggerians, Jacques Derrida and Jean-Luc Marion, who respond to the inherited problematic of non-referential, iconic texts. These responses suggest that non-semantic image-creation, as much as non-semantic verbal play, is the pre-conceptual condition of conceptuality. This essay presents a new way of understanding the philosophical issues that connect ancient and medieval discussions about icons and images with twentieth-century concerns about language.In her study of medieval European manuscript illumination, Animating the Letter (1999), Laura Kendrick emphasizes the non-semantic character of illuminated texts. Kendrick argues that the basic distinction between text and image is fundamentally at stake in illumination, and that the distinction is inherited from the Christian church fathers who opposed text and image, privileging the former and denigrating the latter. According to this traditional view, texts are better suited than images to a consideration of the divine on account of writing’s ethereal quality, its “transparency,” which leads the reader beyond the material sign to the immaterial concept. The problem with images, on the other hand, is their materiality, which may lead viewers down a dark path toward an ultimately heretical veneration for the mere image instead of for its referent. It seems to me that we find in Kendrick’s argument an exact homology with the discourse on the icon in the Byzantine Christian church. Emperor Constantine V, for instance, at the time of the “first iconoclast crisis” (the mid-eighth century CE), expresses wariness about the potentially heterodox metaphysics underpinning iconophilia. He objects to icons on the basis that their veneration would be acceptable only if the icon were to share the essence of that of which it is an icon (God), but that this is impossible; infinite divine nature cannot be encompassed within the finite line of human composition. The Byzantine iconophile’s response to this objection is not to deny the infinite, uncircumscribable nature of God, but to affirm that the icon, bound though it is to the register of images, nevertheless does not function in the same manner as an ordinary image. That is, the icon does not refer to its model by means of resemblance alone. In the language of Nikephoros of Constantinople (758–828 CE), the character of the icon consists in consubstantiality (homoousia) prior to resemblance (homoiōsis).1 [End Page 27]The problem of the limits of reference unites the discourse on the icon and the flourishing of the illuminated text. Just as the icon does not refer in the normal way to its referent, so Kendrick contends that the “animated letter” is not reducible to its pure semantic quality, is not to be understood as if it were just a kind of significative relay through which a sublime quantity of something called “meaning” is obliged to pass. “Meaning,” conceived of in what I am inclined to call the narrowly economic sense as the cargo of material vehicles called “words,” meaning that is gambled in words and then “cashed out” again, is not always what is at stake when one writes. Something else is... (shrink)

This paper reports on a case study which aims to recreate the hearing voices symptom in schizophrenia. The case study was submitted for a co-curricular module at King’s College London by a first-year undergraduate Music student, Bethany James, and was created using the web application, Mahara. The core of the case study consists of a soundscape of both everyday and unusual sounds, in conjunction with an original musical composition. The paper describes the case study and discusses it using chaos (...) narrative as an analytical lens. The paper argues that the case study effectively evokes the hearing voices symptom, conveying a lucid sense of the experience to non-sufferers and thus potentially creating use value for clinicians and care workers. (shrink)

This paper reconstructs Gilles Deleuze’s interpretation of Epicurean atomism, and explicates his claim that it represents a problematic idea, similar to the idea exemplified in early, “barbaric” accounts of the differential calculus. Deleuzian problematic ideas are characterized by a mechanism through whose activity the components of the idea become determinate in relating reciprocally to one another, rather than in being determined exclusively in relation to an extrinsic paradigm or framework. In Epicurean atomism, as Deleuze reads it, such a mechanism of (...) determination can be found in the famous atomic “swerve”. It is necessary to bear this interpretation of Epicurean atomism in mind when understanding Deleuze and Guattari’s promulgation of a new image of thought in What is Philosophy? , which has an explicitly Epicurean inspiration. The paper argues that this inspiration is particularly evident to the extent that Deleuze and Guattari identify the sub-representative feature that lies at the heart of their new image of thought with “chaos”, defined as “infinite speed”. I claim that infinite speed, this otherwise puzzling feature of What is Philosophy? , ought to be understood in the light of Deleuze’s interpretation of Epicurus. Moreover, the Epicurean distinctions between different speeds must be read together with Deleuze’s appropriation of the metaphysics of the ancient Stoics, who, although widely recognized as Deleuze’s Hellenistic counterparts, lack important theoretical resources that the Epicureans provide for Deleuze. (shrink)

Postmodern alienation -- Jameson's dialectical levels -- Baudrillard's hostile worlds -- Foucault's system of thought.

This paper investigates the connection between Henri Bergson’s biological epistemology and his moral theory. Specifically, it examines the distinction between the morality of what Bergson calls “closed” and “open” societies in his late work Two Sources of Morality and Religion (1932). I argue that “open” morality provides the moral correlate of a non-instrumentalizing orientation toward nature. Here Bergson’s thought is disposed toward a very specific kind of environmental ethic, an aesthetic one. Bergson’s characterization of open morality, especially in the image (...) of the mystic individual, indicates that through artistic consciousness open morality imitates the creative evolution of life. (shrink)

Deleuze and Evolutionary Theory gathers together contributions by many of the central theorists in Deleuze studies who have led the way in breaking down the boundaries between philosophical and biological research. They focus on the significance of Deleuze and Guattari’s engagements with evolutionary theory across the full range of their work, from the interpretation of Darwin in Difference and Repetition to the symbiotic alliances of wasp and orchid in A Thousand Plateaus. In this way, they explore the anthropological, social and (...) biopolitical significance of the convergences and divergences between philosophy and evolutionary science. (shrink)

James J. Gibson is one of the best known and perhaps most controversial visual theorists of the twentieth century. Writing in the vein of the American functionalists, and immersed in their profound sense of pragmatism, Gibson sought to establish a more rigorous foundation for the study of vision by reworking its most fundamental concepts. Over the five decades of his distinguished career, Gibson brought new clarity to the old problems of the tradition. He offered an alternative theory of perception (...) - one that could accommodate the experimental insights of contemporary research programs. He characterized this new theory as a version of direct perception in order to distinguish it from the traditional indirect approach of Rene Descartes. On Descartes' account, our perceptual awareness of reality comes through the representations we have formed of it within ourselves. In contrast, Gibson's theory of direct perception states that the environment contains all of the information needed to specify its properties. Hence, perceiving these properties is a matter of detecting the information available in the environment. This theory avoids the difficulty of explaining how the mind organizes holistic perceptions from atomic sensations. In what follows, I will attempt to make good these claims by situating the concept of "structure" at the heart of the ecological program. I will argue that this concept is significant precisely because it allows Gibson to locate the moving, perceiving body at the heart of meaningful perceptual experience; an experience which emerges in the dynamical structures that cross the body and the world. (shrink)

The eighteenth-century Enlightenment represents a turn toward experience, that is, toward the experiencing subject. Still the Enlightenment involves an aspiration toward objective truth in the ideals of the newly emerging sciences and in the experiments in democracy that were beginning to transform the political landscape of Europe and America. Immanuel Kant's towering philosophical achievement in his critical works helps to reformulate a meaning of objectivity that is congenial to the climate of inquiry and freedom in that remarkable century, a meaning (...) that is unburdened of the metaphysical commitments of many of his predecessors. Kant's revolution in philosophical thought gives us an objectivity that is crucially related to epistemic conditions rooted in subjectivity, a correlation between subjectivity and objectivity that carries over as well into his critical treatises concerned with ethics and aesthetics. This book of essays explores the tension between subjectivity and objectivity as it develops in the Enlightenment in Winkelmann, Hume, and Kant. The focus is upon aesthetic theories concerning the beautiful, the sublime, and the grotesque. The question by two of the authors as to whether aesthetic enjoyment of the blues is morally justified underscores an interest in these essays in the connection between aesthetics and ethics. This concern of the relation of aesthetics to judgments in cognition and in morality underlies an area of peculiar interest to Kant, and therefore to many of these essays. Finally the authors examine a turn toward the subjective in the Postmodern world of art and aesthetic theory, a turn that represents a relaxation of the original Enlightenment tension between subjectivity and objectivity. It also represents perhaps a grotesque turn toward the extreme of subjectivity in the realm of Postmodern theory, an extreme toward which at least one of the authors casts a critical eye. (shrink)

The problem of whether perception is direct or if it depends on additional, cognitive contributions made by the perceiving subject, is posed with particular force in an Essay towards a New Theory of Vision. It is evident from the recurrent treatment it receives therein that Berkeley considers it to be one of the central issues concerning perception. Fittingly, the NTV devotes the most attention to it. In this essay, I deal exclusively with Berkeley's treatment of the problem of indirect distance (...) perception, as it is presented in the context of that work. (shrink)

In the second volume of Rinrigaku, Watsuji Tetsurō focuses on developing his notion of betweenness through the ethical organisations of family, local commun...

Kyle Michael James Shuttleworth traces the historical development of the ethics of authenticity in relation to the rise of social freedom and individualism. Traversing the German Idealists, Habermas, Foucault, and MacIntyre, Shuttleworth proposes a socio-existential account of ethical authenticity, using Taylor and Sartre. Moving beyond virtue ethics, discourse ethics and Foucauldian notions of self-care, The History and Ethics of Authenticity constructs a practical ethics of authenticity which makes use of contemporary reference points, including the rise of social media, (...) capitalist branding, and competing appeals to identity, resulting in a presentation of the ethics of authenticity as an achievable ethical ideal. (shrink)

In this paper, an ecologically extended ethic of authenticity is developed in dialogue with the Norwegian environmentalist Arne Naess and the Japanese ethicist Watsuji Tetsurō. More specifically, Naess’s concept of Self-realization is supplemented and supported with Watsuji’s ethic of authenticity and phenomenology of climate. And the ecological potential of Watsuji’s thought is realized in relation to Naess’s ideas of human responsibility and symbiosis. After establishing an ecologically extended ethic of authenticity, the practical application of this concept is then demonstrated in (...) relation to satoyama and the preservation of nature in Japan. Whilst the intended outcome is to develop an ecologically extended ethic of authenticity, a secondary aim is to illustrate the benefit and importance of cross-cultural dialogue to advance philosophical thought and understanding. (shrink)

In this translation, Watsuji Tetsurō sets out to clarify that which is entailed by “national character”. In his analysis of this idea, Watsuji critically analyses the Marxist interpretation from the perspective of Martin Heidegger. After articulating Heidegger’s concept of being-there [Dasein], Watsuji then criticizes Heidegger’s approach in three regards. Firstly, Watsuji questions whether the most accessible way of encountering things in the world is through concern with work and use. Watsuji’s counter-claim is that protection from the cold itself is more (...) primordial that wearing clothes. Secondly, Watsuji questions whether within-the-world is only to be found in equipment. Watsuji claims that although the cold can be treated as equipment, it is more primordially encountered directly, such as in the form of a cold breeze. And thirdly, Watsuji asks whether being-in-the-world should only be grasped as concern. For Watsuji, we not only encounter things in the world to be used, such as for protection against the cold, but also in terms of “enjoyment” or “sensation.” The importance of this essay is that it provides a link between Watsuji’s early engagement with Heidegger and the development of Watsuji’s own concept of fudō (風土). In this regard, this translation fills a gap in the primary sources available in English and provides the means to understand Watsuji’s critique of Heidegger and how this critique shapes the development of Watsuji’s mature thought. (shrink)

In this article we examine the sonic framing of place. Our theoretical approach combines Goffman’s microsociology (and its sociology of music/sound studies off-shoots) with an account of sound in the urban atmospheres literature. Drawing on the work of French urban sociologist Jean-Paul Thibaud and associated work on sound in urban environments by the CRESSON research centre, we propose that sound frames activity in particular ways, including by infusing self and space with a certain tone, and by rendering places more or (...) less hospitable. In the latter part of the article, we examine Quiet Hour shopping as a case study in the sonic constitution and transformation of places. We conclude by reflecting on whether the social and cultural theoretical analysis of sound has suffered from a ‘noise bias’, and whether the ‘resonances’ of public places is a new frontier in both sociological research and in the politics of cities. (shrink)

This introduction positions the special issue by highlighting the inherent relationality of place as well as how place is not just an object of analysis but something that shapes thinking, writing and experiences of the world. We reflect on why sociology has found it somewhat more difficult than its social science counterparts to give place the centrality it merits, and discuss whether this reflects a problem with dealing with questions of ‘scale’ and thinking the ‘in-betweenness’ of place. We assess important (...) formulations of place in recent place theories, including non-essentialist framings of place such as ‘progressive’ and as ‘assemblage’. We make a case for seeing the articles in this special issue (and Thesis Eleven’s own long history of publishing writing on the topic of place) as resonating with the themes of place as materiality, atmospheres and spaces of belonging. (shrink)

Bourdieu once commented that what was needed was a 'new gaze' on the social world - a metanoia. This book describes this view and how to do it. Based on biographical detail and the socio-political contexts, which surrounded him, it sets out his vision of society and culture. Grounded on the distinction between traditional and modern worlds, it shows how ethnographic experience led Bourdieu to an intellectual epiphany. It shows the growth of his conceptual tools and the emergence of 'field (...) theory' in various contexts: Law, Religion, Fashion, Sport, Culture, Fine Art, Philosophy, Literature, and Politics. The book offers an up-to-date, extensive account of Bourdieu, his work and its significance. It centres on philosophical questions of social experience and intellectual practice. Based around his entire oeuvre, it features recent posthumous publications in French, providing important insights for the first time into his way of viewing the world. Including issues of the State, Neoliberalism, and resistance this book explores how the social, philosophical and political came together for Bourdieu to shape how we see ourselves, and our place in the contemporary world - a metanoia. As both an introductory and advanced text, it is a valuable resource for both the newcomer to Bourdieu and the experienced researcher. It will be of interest to undergraduates, postgraduates, researchers of Bourdieu's work in the areas of Sociology, Media, Philosophy, Religion, Economics, Architecture, Cultural Studies, Education, Music, Journalism, Gender Studies, Politics, the Law, Fine Arts, and Linguistics. (shrink)

This is the introduction to the Routledge Companion to Thought Experiments.

Bourdieu and Education details the practical applications of Bourdieu's theories in a series of specific pedagogic research studies, showing how his ideas can be put into practice. Language, gender, career decision-making and the experience of higher education students are all covered. Questions are also raised concerning research methodology. The authors also examine Bourdieu's interest in the position of the researcher within the research process. Bourdieu's influence is traced in aspects of both theory and practice. Finally, principles, approaches, methods and techniques (...) that may be derived from Bourdieu are suggested, and assessed, for practical use in research. (shrink)

Thought experiments are a means of imaginative reasoning that lie at the heart of philosophy, from the pre-Socratics to the modern era, and they also play central roles in a range of fields, from physics to politics. The Routledge Companion to Thought Experiments is an invaluable guide and reference source to this multifaceted subject. Comprising over 30 chapters by a team of international contributors, the Companion covers the following important areas: -/- · the history of thought experiments, from antiquity to (...) the trolley problem and quantum non-locality; -/- · thought experiments in the humanities, arts, and sciences, including ethics, physics, theology, biology, mathematics, economics, and politics; -/- · theories about the nature of thought experiments; -/- · new discussions concerning the impact of experimental philosophy, cross-cultural comparison studies, metaphilosophy, computer simulations, idealization, dialectics, cognitive science, the artistic nature of thought experiments, and metaphysical issues. -/- This broad ranging Companion goes backwards through history and sideways across disciplines. It also engages with philosophical perspectives from empiricism, rationalism, naturalism, skepticism, pluralism, contextualism, and neo-Kantianism to phenomenology. This volume will be valuable for anyone studying the methods of philosophy or any discipline that employs thought experiments, as well as anyone interested in the power and limits of the mind. (shrink)

The French social philosopher Pierre Bourdieu is now recognised as one of the major thinkers of the twentieth century. In a career of over fifty years, Bourdieu studied a wide range of topics: education, culture, art, politics, economics, literature, law, and philosophy. Throughout these studies, Bourdieu developed a highly specialised series of concepts that he referred to as his "thinking tools", which were used to uncover the workings of contemporary society. Pierre Bourdieu: Key Concepts highlights his most important concepts and (...) examines them in detail. Each chapter deals with an individual concept and is written to be of immediate use to the student with little or no previous knowledge of Bourdieu. This new edition of the leading text is entirely revised and updated and includes new essays on Methodology, Politics and Social Space. (shrink)

In the target article, Bowers et al. dispute deep artificial neural network (ANN) models as the currently leading models of human vision without producing alternatives. They eschew the use of public benchmarking platforms to compare vision models with the brain and behavior, and they advocate for a fragmented, phenomenon-specific modeling approach. These are unconstructive to scientific progress. We outline how the Brain-Score community is moving forward to add new model-to-human comparisons to its community-transparent suite of benchmarks.

The French social philosopher Pierre Bourdieu is now recognised as one of the major thinkers of the twentieth century. In a career of over fifty years, Bourdieu studied a wide range of topics: education, culture, art, politics, economics, literature, law, and philosophy. Throughout these studies, Bourdieu developed a highly specialised series of concepts that he referred to as his “thinking tools”, which were used to uncover the workings of contemporary society. Pierre Bourdieu: Key Concepts highlights his most important concepts and (...) examines them in detail. Each chapter deals with an individual concept and is written to be of immediate use to the student with little or no previous knowledge of Bourdieu. This new edition of the leading text is entirely revised and updated and includes new essays on Methodology, Politics and Social Space. (shrink)

This review essay evaluates Karl Maton's Knowledge and Knowers: Towards a Realist Sociology of Education as a recent examination of the sociological causes and effects of education in the tradition of the French social theorist Pierre Bourdieu and the British educational sociologist Basil Bernstein. Maton's book synthesizes the scholarship of Bourdieu and Bernstein and complements their work with “discoveries” from the world of systemic functional linguistics to produce a new “realist sociology of education.” It does so by means of Legitimation (...) Code Theory, defined as a “toolkit” to analyze knowledge construction in cultural fields, especially education. The authors of this review essay take a polyphonic approach in assessing this ambitious synthesis, offering four perspectives on Maton's book. Brian Barrett provides a Bernsteinian perspective; Dan Schubert approaches the book from his grounding in Bourdieu; and Susan Hood contributes a view from systemic functional linguistics. Michael Grenfell weaves these three perspectives together and provides introductory and concluding reflections. They aim, through their combined expertise, to use Maton's book as an occasion to take stock of the state of the field of sociology of education generally and to reflect on the questions: What is its nature and what type of knowledge does it express? To what uses may it be set and what is its place within the larger project of educational theory? (shrink)

These 17 essays covers all aspects of Bernard Stiegler's work, from poststructuralism, anthropology and psychoanalysis to his work on the politics of memory, 'libidinal economy', technoscience and aesthetics, keeping a focus on his key theory of technics throughout. Stiegler brings together key concepts from Plato, Freud, Derrida and Simondon to argue that the human is 'invented' through technics rather than a product of purely biological evolution. Stiegler is a thinker at the forefront of our contemporary concerns with consumerism, technology, inter-generational (...) division, political apathy and economic crisis. His ambitious project is to go beyond these sources of social distress to uncover and examine precisely 'what makes life worth living'. Contributors include: Stephen Barker, University of California Irvine and translator of Steigler; Richard Beardsworth, American University of Paris and translator of Stiegler; Miguel de Beistegui; University of Warwick; Marc Crepon, Ecole normale superieure and co-founder of Stiegler's think tank, Ars Industrialis and Daniel Ross, co-director of 'The Ister', the award-winning film on Heidegger, and translator of Stiegler. (shrink)

Pierre Bourdieu is now recognized as one of the key contemporary critics of culture and the visual arts. Art Rules analyses Bourdieu's work on the visual arts to provide the first overview of his theory of culture and aesthetics. Bourdieu's engagement with both postmodernism and the problem of aesthetics provides a new way of analyzing the visual arts. His interest is in how artistic fields function and the implications their processes have for art and artistic practice. Art Rules applies Bourdieu's (...) theory of practice to the three fields of museums, photography and painting. These practical examples are used as a springboard to address visual arts in the 21st Century and to establish Bourdieu's rules of art. (shrink)

The contributors to this study present and evaluate a number of powerful conceptual tools that have been developed by Pierre Bourdieu, a key social theorist of the 20th century. He has defined a new approach to the study of sociology.